100 bands, one gold.

A smooth, domed profile that never catches on anything. Comfort fit inside, two to twelve millimetres wide, in yellow, rose or white.

A flat top with crisp edges and nothing in the way of the words you put inside it.

Two facets rise to a single ridge that draws a line of light with every turn of the hand.

A polished flat face with a bevel on each side, so the band reads sharp from across a room and soft against the finger.

A fine row of beads along each edge. The oldest way to finish a band, and still the one that reads as heirloom first.

A satin or recessed centre set off by bright edges or milgrain rims, in ten, fourteen and eighteen karat. Several take an engraving on the outside as well as inside.

Patterns cut by hand into the surface so every facet catches light against a matte ground.

A hammered field, some with beveled edges and some with milgrain, so the band already looks lived in on the first day.

A continuous Greek key motif runs the whole way round between twisted rope or milgrain rails. Five to twelve millimetres wide.

Yellow and white gold in one band: diamond-cut centres, brushed centres and stepped edges.

Solid rose gold with a black rhodium finish over the outside. Five to eight millimetres.

Thin comfort-fit bands with one idea each: a bead that turns, a leaf, a gnomon, twin seeds, a curve, a field of stars.

A three carat oval lab-grown diamond on a solid 14k comfort-fit band.